Choo san biography of martin
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Kang Seung Lee (Seoul, South Korea, 1978) is a multidisciplinary artist who lives in Los Angeles, United States. His oeuvre highlights stories and experiences of significant artists in queer history from different regions. By examining and reinterpreting images, texts, artifacts, and objects from public and private archives, art collections, and libraries, Lee focuses on the legacy of LGBTQIA+ people, emphasizing oft-overlooked counter-narratives. Using different media such as drawings, embroidery, tapestry, ceramics, and videos, Lee reimagines historical events, paying tribute to and promoting imaginary encounters that go beyond space and time between figures such as the photographers Peter Hujar (1934–1987), from the USA, and Hong Kong-born Tseng Kwong Chi (1950–1990)—known for their iconic black and white images—or Chinese-American painter Martin Wong (1946–1999), English filmmaker Derek Jarman (1942–1994), as well as Brazilian artist Leon
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The Four Seasons / Morpheus’ Dream / The Leaves Are Fading
Creative Team Biographies
The Four Seasons
David Dawson
ChoreographerBritish choreographer David Dawson is one of the leading dance makers working in classical ballet today. His choreographic style transforms classical ballet in new ways and his signature works have been praised by critics and audiences worldwide. He has been Associate Artist with Dutch National Ballet since 2015. Between 2004 and 2012 he was Resident Choreographer for Dutch National Ballet, Semperoper Ballett and Royal Ballet of Flanders.
He was honoured with the Prix Benois de la Danse Award for choreography for The Grey Area. He created Reverence for the Mariinsky Ballet, for which he was awarded the Golden Mask Award, becoming the first British choreographer to create a ballet for this legendary company. He received the Choo San Goh Award for The Gentle Chapters and was nominated for The Golden Swan Award fo • Kang Seung LeeKang Seung Lee engages in various artistic media including drawing, embroidery, installation, and appropriation of organic materials and objects. His work involves extensive research periods that are not just documentary but also integrate imagistic elements. Lee’s work is an installation based on the many narrative and iconographic possibilities of artistic figures such as Goh Choo San, Tseng Kwong Chi, Martin Wong, José Leonilson, and Joon-soo Oh, among other artists who died due to AIDS-related complications. In the environment created by the artist, the spectator is able to reconfigure queer narratives in a transnational and transhistorical way. Drawings, embroideries made with 24-karat gold-plated lines, objects hung from the ceiling, and other elements installed on the walls allow viewers to move between narratives that pay homage to essential names of queer culture in an antimonumental way. How can micro- and macro-history be found in one installation? Lee pre |