Branislav jakovljevic biography of barack
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The Resilience of History: The Yugoslav Wars through Art
The volume deals with the traumatic experiences of the Yugoslav wars in the s and focuses on artistic, and especially theatrical, responses to them. The authors consider the role of art in both the acute processing and the long-term formation of political and personal memory of the trauma of war and exile. Although the primary subject of the monograph is the relationship between art and trauma on the backdrop of Yugoslav wars, it also features a special section dedicated to the war in Ukraine and the genocide in Gaza.
Featuring articles by Gregor Moder, Branislav Jakovljević, Ana Antić, Blaž Kavšek, Damir Arsenijević and Saša Asentić, Zala Dobovšek, Katja Kobolt, Aleksandra Starcevic, Djordje Popović, Marina Johnson, Sofija Rosa-Lavrentii, Bojana Kunst, Janez Janša and Bojana Cvejić
The full book in a PDF format is available here.
Special editions, No. 21
Edited by: Blaž Kavšek and Gregor M • Wooster Baroque: Branislav Jakovljevic Branislav Jakovljevic Wooster Baroque Branislav Jakovljevic • JROSS@ Professor Emerita, Dance Studies, Dance History, Dance in Prisons. Former Professor in the Department of Theater and Performance Studies and Founding Faculty Director of ITALIC, Immersion In The Arts Living In Culture, freshman residential program. She has a BA with Honors from UC Berkeley and MA and PhD degrees from Stanford. Her newest book, The Choreography of Environments: How the Anna and Lawrence Halprin Home Transformed Contemporary Dance and Urban Design, is forthcoming from Oxford University Press in Her other books include Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia (Yale University Press, ). The Russian translation of Like A Bomb was published in by Academic Studies Press (Boston, USA/Moscow, Russia). Anna Halprin: Experience as Dance, (University of California Press / paper), winner of a de la Torre Bueno Award Special Citation, San Francisco Ballet at 75 (Chronicle Books ) and Moving Lessons: The Begin
TDR: The teaterpjäs Review, Volume 54, Number 3, Fall (T ), pp. (Article)
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Introduction
Urb The death of theatre, which in the West has been lamented at least since Aristotle, does not come with the passing of great tragic poets, or with religious persecution, or with the advent of new technologies. It comes with the death of death. Or, more precisely, with the death of the dead; that is to say, with the evacuation of the material presence of death from our everyday experience. Theatre not only dies for wont of a living, working, paying audience, but also because it is deprived of the population of the dead, of corpses imperceptibly decomposing under the audiences feet while the spectacle unfolds in front of their eyes. Such is the stunnin