Ang maya kundiman conching rosal biography
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Ang Pasig ay Mutya
Mutya ng Pasig, a time-honored kundiman composed by Nicanor Abelardoin 1926 and popularized by Conching Rosal, is a melodious plea from a maiden (mutya) pining for love and glory long gone.
To the romantic as well as the pragmatic, these haunting but prescient lines breathed by the muse of the Pasig may well still be her serenade today. On second thought, the river itself is the muse, Metro Manila’s muse, because its 26-kilometer stretch links 11 of its cities and is behind the rise of many of them, notably the capital, Manila. Trade and commerce flourished along the banks, transportation was eased. Jose Rizal immortalized the Pasig River in many crucial scenes in the 19th-century Noli Me Tangere and El Filibusterismo.
During the Philippines’ Gilded Age, palatial homes were built on the banks of the Pasig, like the Ocampo mansion in Quiapo (think the schloss of the Von Trapps in Sound of Music
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