Giotto di bondone biography facts for kids

Giotto di Bondone, commonly known as Giotto, was an Italian painter and architect who lived during the late Middle Ages and early Renaissance period. He is often regarded as one of the most influential artists of the late medieval period and a pioneer of the Renaissance style.

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Facts About Giotto di Bondone

PERSONAL LIFE

• Born around 1266 in Florence, It

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  Giotto Di Bondone Biography In Details

  Early years

  Giotto was probably born in a hilltop farmhouse, perhaps at Colle di Romagnano or Romignano; since 1850 a tower house in nearby Colle Vespignano, a hamlet 35 kilometres north of Florence, has borne a plaque claiming the honour of his birthplace, an assertion commercially publicised. He was the son of a man named Bondone, described in surviving public records as "a person of good standing". Most authors accept that Giotto was his real name, but it may have been an abbreviation of Ambrogio (Ambrogiotto) or Angelo (Angelotto).

  The year of his death is calculated from the fact that Antonio Pucci, the town crier of Florence, wrote a poem in Giotto's honour in which it is stated that he was 70 at the time of his death. However, the word "seventy" fits into the rhyme of the poem better than would have a longer and more complex age, so it is possible that Pucci used artistic license.

  In his Lives of the A

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Giotto

Italian painter and architect (c. 1267 – 1337)

For other uses, see Giotto (disambiguation).

Giotto di Bondone (Italian:[ˈdʒɔttodibonˈdoːne]; c. 1267^[a] – January 8, 1337),^[2][3] known mononymously as Giotto^[b], was an Italian painter and architect from Florence during the Late mittpunkt Ages. He worked during the Gothic and Proto-Renaissance period.^[7] Giotto's contemporary, the banker and chronicler Giovanni Villani, wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature" and of his publicly recognized "talent and excellence".^[8]Giorgio Vasari described Giotto as making a decisive break from the prevalent Byzantine style and as initiating "the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years".^[9]